The Lyrical King Embraces the Crossover Era
Following two back-to-back certified gold albums, Long Live the Kane (1988) and It’s a Big Daddy Thing (1989), Big Daddy Kane returned in 1990 with Taste of Chocolate, a pivotal project that captured the reigning lyrical monarch at a fascinating crossroads of artistry, commercial ambition, and cultural evolution.
While maintaining his foundational status as one of Hip-Hop’s greatest lyricists, Taste of Chocolate is the sound of Kane expanding his reach and demonstrating his innate versatility. The album successfully bridged the gap between his signature, battle-tested style and his increasing celebrity as a “ladies’ man” and multifaceted entertainer.
Key Tracks & Critical Success:
- Commercial Power: The album was a notable commercial success, peaking at No. 10 on the Billboard Top Soul Albums chart and establishing Kane’s power beyond pure Hip-Hop airwaves.
- “All of Me” (feat. Barry White): The most daring and memorable moment of the album, this six-minute R&B ballad was a groundbreaking collaboration that seamlessly fused Kane’s rapid-fire delivery with the legendary soul crooner, Barry White. The track demonstrated Kane’s vision for live instrumentation and paved the way for future genre-blending artists. It peaked at No. 14 on the Hot R&B Singles chart.
- “‘Cause I Can Do It Right”: A classic ladies’ man anthem that became a major hit, landing at No. 4 on the Hot Rap Singles chart.
- “It’s Hard Being the Kane”: An intensely personal and self-reflective track that addresses the immense pressure of maintaining superstar status and navigating the shifting expectations of the music industry. It remains one of Kane’s most honest statements on fame.
- “Who Am I” (feat. Gamilah Shabazz): A powerful socio-political record where Kane showcases his depth by rapping from dual perspectives—including that of an artist compromising his integrity—with an insightful concluding verse from Gamilah Shabazz, the daughter of Malcolm X.
A testament to his enduring talent, Taste of Chocolate solidified Big Daddy Kane’s standing as an artist who refused to be contained by a single genre, proving he could command the stage as both a lyricist of unparalleled skill and a sophisticated, world-class entertainer.